tippy('#footnote_plugin_tooltip_1524_1_63', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_63').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); In considering The Martins's arrival "From Arkansas With Love," I have demonstrated how a network of religious, geographic, and cultural associations merge in the construction of imagined place. Molly Worthen has mapped contemporary evangelicalism's uneasy relationship with post-modernity and religious self concept. Walterboro. Nail to Cross Jewelry isdesigned & handcrafted by JW Martin, our dad. The core of this essay began as a conference paper for the 2013 conference of the Society for American Music. Directed by Bill Gaither. He was scheduled to take part in a Gaither to sleep. Gaither's questions establish Jonathan's lifelong love of "huntin'" as linked to his Arkansas adolescence. Its fans and participants aspire to transcend or dissolve regional expectations, theological boundaries, and denominational classifications. 5 [September, 1996]: 386405). to Cart, Nail to Cross Jewelry isdesigned & handcrafted by JW Martin, our dad. Better Than Anything Winter's Bone. . tippy('#footnote_plugin_tooltip_1524_1_35', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_35').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The National Quartet Convention, southern gospel's annual flagship event that at its height in the mid-1990s drew crowds approaching 25,000 for four or five nights in a row, no longer attracts audiences or interest to warrant multiyear leases with the Kentucky Fair and Expo Center in Louisville. For more on the rise and spread of southern gospel regionally and nationally, see James R. Goff Jr., Close Harmony: A History of Southern Gospel (Chapel HIll: University of North Carolina Press, 2001), 50109; Don Cusic, The Sound of Light: A History of Gospel Music (Madison: Popular Press, 1990), 153162; 171176. They asked her if she would listen to these young people sing. Interested in submitting your work to Southern Spaces. Bill Gaither sighs contentedly, then adopts an avuncular, lightheartedly admonishing tone, commenting that The Martins had only sung the first verse and indicating, as if unplanned, that the trio should "finish it" on the couch at that moment. Be Strong Audiocassette. Mae is her 18-year-old daughter. The Arkansas imaginary explored here is not a totalizing way of understanding the vernacular music of white fundamentalists. Menu. Joyce began learning piano and Jonathan quickly picked up guitar. Although they have scaled back the quantity of dates, the quality is rock solid. I Will Go The Distance Days Like This tippy('#footnote_plugin_tooltip_1524_1_44', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_44').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This performance is important not just because the group's knack for reimagining southern gospel harmonies in dazzling vocal arabesques led in short order to celebrity. "Place" signifies a physical location, a material culture, a set of affiliated social relations, and more nebulous meanings associated with place as a concept. "2Ibid., 2. tippy('#footnote_plugin_tooltip_1524_1_2', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_2').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This tradition is distinctive for its cultivation of close harmony sung in ensemblestraditionally male quartets, a formation that dominated the commercial sector of southern gospel through roughly the first half of the twentieth century, and more recently, mixed-gender foursomes and trios, often comprising family members.3Today's professional southern gospel includes many family and mixed gender foursomes and trios, configurations that were and are common in the singing convention world that dominated southern gospel in the late nineteenth century and early twentieth century. I have in mind the period in American conservative and fundamentalist evangelicalism inaugurated by Richard Nixon's conjuring of the ", 1990 coincides roughly with the emergence of what would become the, Within southern gospel, "CCM" designates nearly all other forms of commercial Christian music deemed insufficiently pious or overly commercialized (marketed in ways different from southern gospel). Not least of all, The Martins's success has relied on the popularity within southern gospel of what I have referred to as backwoods virtuosiup-from-nothing children of the white US South able to create and perform distinctive arrangements of gospel songs and hymns whose lyrics are, as most southern gospel is, suffused with first-person struggles of ordinary Christians, striving after, struggling for, and faithfully pressing on toward greater assurance of belief and affirmative experience of the divine in their lives.48On backwoods virtuosi, see Harrison, "Grace to Catch a Falling Soul." Vodafone. Anthony Heilbut, "Black Urban Hymnody," on, Stephen Shearon, Harry Eskew, James C. Downey, and Robert Darden, "Gospel Music,". In cultural geography, "sense of place" refers to the feelings and emotions a place evokes and that help constitute it.14Tim Cresswell, Place: A Short Introduction (London: Wiley-Blackwell, 2004), 169. tippy('#footnote_plugin_tooltip_1524_1_14', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_14').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); More than just feelings or emotions, such sense of place encompasses perceptions, assumptions, and habits of thought and behavior of people who are part of a place. I Can't Help Myself Her arrival brought so much joy to our family. In 2003, the group chose to come off the road for a needed time of reflection and renewal. The Gospel Music Association (GMA), Christian music's umbrella professional organization that administers the Dove Awards (Christian Music's Grammys), classifies this type of black Christian music as "traditional gospel," as distinct from "contemporary gospel," which encompasses black gospel in the style of mainstream R&B. When Jonathan learned to drive, their parents began staying home more and letting the three travel everywhere to share their talents. Evangelicals and fundamentalists have never agreed on how best to live out the scriptural directive that Christians be in the world, but not of it. Geography and biography merge in the Arkansas imaginary to redefine and authenticate The Martins's musical personae and southern gospel as a mode of fundamentalist and conservative evangelical experience. There is an associationalas opposed to primarily musicallogic to this appeal that tracks with broader "patterns of cultural experience and affiliation." For more on cultural-geographic conceptualizations of place, see John Agnew, The United States in the World Economy: A Regional Geography (London: Cambridge University Press, 1987), and Cresswell, Place. She tells Bill, "you have to hear these kids sing." Many fans and most observers interpreted her actions and words as a rebuke of a mass wedding of gay and straight couples performed during the broadcast. The basic details provided here derive largely from The Martins's disclosures on stage, press coverage, conservations I have had with industry professionals, and my experience. Any Arkansas setting becomes synonymous with the Ozark hillbilly. tippy('#footnote_plugin_tooltip_1524_1_8', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_8').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); So it is tempting to assume that the emergence of "southern" to describe the music since the 1960s matters only as an unsubtle substitute for the more racially antagonistic "white." Somebody Give Me A Stone tippy('#footnote_plugin_tooltip_1524_1_25', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_25').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); conservatives primarily in denominationally unaffiliated megachurchessouthern gospel has come to voice the revanchist critique of non-denominational evangelicalism offered by old-line denominational fundamentalists (namely, Southern Baptists, General Baptists, Free Will Baptists, and Independent Baptists; Nazarenes; Church of God; Church of Christ; Assemblies of God; and the more fundamentalist strains of Methodism).26These denominations were most frequently represented in original ethnographic research I have conducted into the contemporary culture of southern gospel. Italy. When she came out, Mark grabbed her arm and said, "You have to hear these kids sing!" In 2013, the Doves moved back to Nashville, not to the Grand Ole Opry House but to the auditorium of a small religious college in the suburbs (Dave Paulson, "Dove Awards Fly Back to Nashville," USAToday.com, October 14, 2013, accessed January 28, 2014, http://www.usatoday.com/story/life/music/2013/10/14/dove-awards-nashville/2984327/). In the early 1990s, two sisters and their brother, Judy, Joyce, and Jonathan, then in their late teens and performing as The Martins, began appearing with the Gaither Homecoming Friends. The Gaither interview invites viewers to imagine them as representing a set of hill-country valuesa love of hunting, closeness to nature, self-sufficiency, and cultural isolationthat Blevins argues have over the course of two centuries come to stand in for all (white) Arkansans.58The cultural difference between the Ozark/Ouachita and Mississippi Delta regions of Arkansas is aptly captured by/in two recent films. This transformation left untouched only the Ozarks and Ouachita to the north and west. To this day, Thanksgiving is a favorite holiday. The overwhelming majority of fans and professionals in contemporary southern gospel are white Christians who are "culturally southern, socially conservative, and Anglo-American. tippy('#footnote_plugin_tooltip_1524_1_20', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_20').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); In its early decades, CCM's creative and cultural home was Nashville and many performers and professionals still work there. In this context, gospel music functions as a style of vernacular religious entertainment and a form of evangelical cultural experience transcending denominations or confessional traditions. Gentle See ". Through this custom cross jewelry we are able to support a cause very close to our hearts. Stowe, David. (Jennifer Jones, ", For a cogent analysis of how shape-note gospel from the South mediated cultural conflicts and status instabilities of white, southern farmers, see Gavin James Campbell, "'Old Can Be Used Instead of New': Shape Note Singing and the Crisis of Modernity in the South, 18801920,", Premillennial dispensationalism has been the dominant theological paradigm for fundamentalist evangelicals in the United States since the mid-nineteenth century. It was Mark, Mike, of course the three Martins, Gloria and two or three other people. tippy('#footnote_plugin_tooltip_1524_1_41', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_41').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This dearth conforms to a tendency in southern gospel to celebrate those performers who seem to embody orthodox cultural values, religious beliefs, and pietistic practices, as opposed to those who provide rich and particularized details about their personal lives. November 26, 1921 - April 16, 2023 Doris Marie Liljegren passed away quietly in her sleep on Sunday, April 16, 2023 at the age of 101. However, a 1993 appearance on the Gaither Homecoming series helped transform The Martins from an avocational regional trio into a professional act with a national following in fundamentalist Christian entertainment. This week on Better Together, Joyce Martin Sanders shares her favorite childhood memory which was a Christmas miracle. Fortunately, new and forthcoming work in the study of southern gospel is beginning to scrutinize Gloria Gaither's role as a Christian entrepreneur, thinker, and writer much more closely. Is The Lord, Healer UrbanaChampaign: University of Illinois Press, 2012. This reputation is curious, because most of the music the group has written, recorded, and performed outside Homecoming merrily mixes and merges stylistic features from adjacent genres and traditions: most notably, CCM, country, southern and urban gospel, choral music, inspirational, light rock, pop, and classic hymnody. Each opportunity created memories and amazing times of reminiscing. The interplay of praxis and imagination is crucial. O Come All Ye Faithful Such work is as welcome as it is needed. There was no love lost between southern gospel and the "Queen of Christian Pop" to begin with, but after Grant's rise to fame, she became a galvanizing symbol for southern gospel of cultural accommodation run amok in doctrinally compromised music. Dolores "Dee" Schreiber Martin, age 87, passed away peacefully at home on April . Joyce Martin Sanders shares about her failed marriage, personal and professional breakdown, business and financial challenges associated with the 2020 pandemic, and raising a special needs daughter, and many of the lessons she's learned along the way.Who. Are Holy tippy('#footnote_plugin_tooltip_1524_1_54', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_54').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); connecting their identities, the group's history, and their Arkansas roots with the force of southern gospel music. 3424486444. Courtesy of Douglas Harrison. "Gospel," as Heilbut has noted, is "the favored term for what working-class black congregations [do,] often to the exclusion to white traditions." Totally Lost tippy('#footnote_plugin_tooltip_1524_1_24', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_24').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); If much of CCM musically enciphers the aspirations of evangelicalism's dominant demographicsuburban, white, seeker-centered25"Seeker" sensitive models of congregational development and worship emerged in the 1970s and 1980s as part of the so-called church-growth movement, an organized effort to expand church membership and participation beyond traditional populations. Ann Arbor: University of Michigan Press, 2009. Certainly there are southern and rural imaginaries writ large and available for scholarly scrutiny. Arkansas has long been defined by poverty and isolation born of the cashless frontier societies of the state's uplands and the agrarian barter economies that prevailed in the lowlands.55Morris Arnold, "The Significance of the Arkansas Colonial Experience," Arkansas Historical Quarterly 51 (Spring 1992): 7880. to Cart, More Like A Whisper (CD) - $5.00 - Add She has two children. Lead You To the Cross New York: Knopf, 2012. Iowa Personal lives Jonathan Martin (b. This movement was popular among (though not exclusive to) non-denominational evangelical megachurches. Michael English and Michael Sykes produced and arranged their first record. See Shearon et al., "Gospel Music." Christ Alone Joyce Martin Sanders shares about her failed marriage, personal and professional breakdown, business and financial challenges associated with the 2020 pandemic, and raising a special needs daughter, and many of the lessons she's learned along the way. Find out what happens when real friends get together for real conversations!Shop our merch! Her arrival brought so much joy to our family. Southern gospel has found itself in alliances with black gospel traditions and the black church. The history and role of bluegrass, old-time, and mountain musics, particularly songs with pietistic lyrics that have found a home in southern gospel, is understudied. Joyce Martin is married to Paul Michael Sanders, who has had periodic jobs as a southern gospel singer. 2014.grammys.criticized.as.political.stunt.to.push.gay.marriage.agenda.natalie.grant.responds.after.early.exit/35586.htm). "13Harrison, Then Sings My Soul, 103. tippy('#footnote_plugin_tooltip_1524_1_13', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_13').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Consequently, in what follows, "southern gospel" stands as shorthand for professional, commercialized white gospel from, or culturally aligned with, the evangelical fundamentalist South. Before then the music was simply known to its practitioners and fans as gospel. Spring Hill, 2005, CMD 1807. Light Of The World Jonathan Martin and his wife, Dara, live in Des Moines with their six children (Craig Harris, "Martins Storm Back onto the Scene," sgnscoops.com, December 17, 2013 [accessed January 31, 2014)]. They give the reality of depression and anxiety center stage when they perform, knowing that talking about it takes it from the shadows of denial and into the light where individuals can deal and heal. . Michael pushed them out of their comfort zones, and they creatively obliged. Joyce: So we went into the bathroom. Photograph by Judy Baxter. There's Not A Crown Over the next few years, they sang everywhere possible. I Above It All The. Pure Heart They are blessed with children Halea, Michael, Taylor, Olivia, Emilia and Harrison. They would drive hours for these opportunities. "Home" functions primarily in southern gospel as a meaning-making tool for experience in this life, not the next. While CCM is less fundamentalist than southern gospel, it participates in the long drift of conservative evangelicalism toward separating itself from the wider world of American life and culture. They decided on a song, and so over the next few hours, they rearranged and literally practiced the entire 6-hour road trip. As they entered the studio for the evening rehearsal, Joyce, Jonathan, and Judy sat quietly in the foyer. In its current, commercial form, this tradition "is most powerfully defined by common historical, economic, social, and cultural connections among professionals and fans to a constellation of corporate and professional organizations that anchor the creation, consumption, and commemoration of the music," Gaither Homecoming among them. Click here to view a larger image of front and back. Taylor, Charles. For "homecoming" as a practice and concept in southern fundamentalism, see Jeff Todd Titon, Powerhouse for God: Speech, Chant, and Song in Appalachian Baptist Church (Austin: University of Texas Press, 1988). Fox, Pamela. Researched in the 1990s and published in 2002, Close Harmony traces the music's development from the nineteenth century. For branding of the natural state, see Arkansas.com, Arkansas Department of Parks and Tourism, accessed October 15, 2013, http://www.arkansas.com. Sing Me Home, Can Heaven Wait The southern gospel condemnation of CCM has long and deep roots.28Although CCM borrows heavily from mainstream secular music and performance styles, it does so to cultivate a canon of popular music that signifies Christianity's cultural relevance and the music's evangelistic savvy, while claiming a special status derived from CCM's pious commitments to conservative evangelical values and theological positions. See Shearon, email to H-Southern Music Network mailing list, March 27, 2009. The Martins. (See Harrison, Then Sings My Soul, 182183). Michael expressed the immediate need for an acapella song. [5] Jonathan Martin (b. This essay is interested in how the imagining of a place shapes and is shaped by understandings of vernacular sacred music and the shifting identities this music contains. come sing during intermission. Most High tippy('#footnote_plugin_tooltip_1524_1_19', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_19').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The emergence of The Martins as a national touring group relied strategically on their Arkansas roots. to Cart, Lord, Somebody Needs You (CD) - $10.00 - Add The Martins's family narrative emphasizes anti-modern, unsophisticated, and materially modest childhoods, reinforced with a washed-out photo of the family's ramshackle cabin. Joyce, Jonathan and Judy have all been mentors, trend-setters and influencers, especially in the lives of young and upcoming artists. There Is Liberty Join the. For an extended discussion of "southern gospel" see, Douglas Harrison. . Follow @JoJoShazam1. The noticeable absence of non-whites in these films, like the assumptions at work in Blevins's account and Gaither video, suggests to the degree to which whiteness remains largely unelucidated as a structuring category of identity, ideology, and religious belief in southern gospel. But this rejection of CCM also bespeaks the stance toward modernity that defines southern gospel culture and fundamentalism. She was born in her grandfather's house in Sydney, Ohio on. Sunday services to reach the unchurched through polished music, multimedia, and sermons referencing popular culture and other familiar themes. to Cart, May We Never Forget (CD) - $5.00 - Add Shoes Their continuing appeal has involved a narrative about their Arkansas identity as proof of authenticity as individual performers and for the genre of southern gospel. In The Presence Of Jehovah The popularity of Homecoming derives from its emergence duringand its response tothe declension crisis in southern gospel. to Cart They know God still has big plans, and they simply follow His directive. North American gospel history and the cultural realities of contemporary southern gospel defy further generalization. Copyright 2023 Apple Inc. All rights reserved. Bill Gaither soon placed them on his label. Enjoy the Journey They continued to work hard and establish more bookings. The peer reviewers for Southern Spaces provided generous feedback that sharpened my thinking and refined the essay's argument considerably. His interview enacts a modern gospel version of the venerable Arkansas Traveler colloquy in which a high-born southerner (the Traveler) engages an Arkansas Squatter in a dialogue about the differences of class and geography.60Bill Clinton's presidential campaign used the Traveler name and image as a way to strengthen his populist appeal running against a Washington insider. Dayton, The Theological Roots of Pentecostalism (Grand Rapids: Francis Asbury Press, 1987); and Dodrill, "Evangelicalism Examined . Gaither Homecoming is a popular series built on themed video recordings, live concerts, and a host of related residuals-generating merchandise.42In the 1990s and early 2000s, Gaither Homecoming was popular on the now-defunct TNN cable channel. Southern gospel's negotiation of them has often manifested in overt racism or a way of thinking, talking, and singing that renders whiteness falsely normative. See Harrison. Joshua Fit The Battle Of Jericho Choose size, then add to cart. Their calendar filled quickly, and soon they were traveling over 240 days annually. Mae is a beautiful soul. It is always a pleasure when Joyce shares her cooking skills via a Facebook Live post. "61Anthony Harkins, Hillbilly: A Cultural History of an American Icon (New York: Oxford University Press, 2003), 7. tippy('#footnote_plugin_tooltip_1524_1_61', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_61').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Yet many of the white, conservative, and fundamentalist Christian consumers who are the target audience for this kind of Christian entertainment merchandise may well see something quite different. tippy('#footnote_plugin_tooltip_1524_1_47', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_47').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Yet The Martins remain beloved members of the Homecoming cast and reputational avatars of gospel traditionalism carried on in the music of a new generation of songbirds. GMA has drastically shifted its outreach and marketing emphasis toward black gospel artists and groups, going so far in 2011 as to move the Dove Awards from Nashville's Grand Ole Opry to Atlanta, the unofficial capital of black gospel music. Sharing her life with transparency is her passion. Dochuk, Darren. Brother Jonathan follows at 41, and sister Judy Martin-Hess is 40. : Gaither Music, 2011. Her story of brokenness and restoration encourages thousands on social media and from the stage. This is Where Grace Comes In, Through Thick & Thin Finally, I'm grateful to The Martins and so many other southern gospel performers for making music that has held me in thrall and demanded to be taken seriously. They practically lived on their bus and were living their childhood dream. https://bit.ly/36cqGpg#bettertogether #joycemartinsanders #christmas tippy('#footnote_plugin_tooltip_1524_1_46', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_46').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The paradox of The Martins's Homecoming reputation as masters of classic gospel hymnody and their much wider stylistic reach and renown before and beyond the Homecoming stage suggests that there is more to their appeal to southern gospel audiences than can be accounted for by their music. Please check out our free resources atAllanBlain.com. Her reply offers quick-witted banter and comic reinforcement of the widespread assumptionabetted by the Gaither Music Companythat The Martins's southern gospel is an artistically and spiritually serious form of sacred song from people who are proud of their pietistic primitivism. For a fuller discussion of "southern" as a racial signifier and readings of race and white gospel see Harrison, Following Harry Eskew's lead in the Grove Music entry for Gospel Music, Stephen Shearon uses "northern urban" gospel to designate commercial Christian music of and for primarily white Protestants that emerged in the late-nineteenth- and early-twentieth-century revivalism in urban areas outside the South. She was an extremely happy child with bright eyes and an infectious open mouthed smile. Joyce Martin is married to Paul Michael Sanders, who has had periodic jobs as a southern gospel singer. The only subgenre of white Christian music that remains relatively strong is Praise and Worship music, whose fortunes have been buoyed by the demand for choruses in non-denominational evangelical churches. Their message is to always represent the message with excellence. God deserves our absolute best. The Martins recorded five independent albums prior to their breakout. "Southern gospel" remains the preferred term in the study of white gospel music of the South. Bill Clinton's presidential campaign used the Traveler name and image as a way to strengthen his populist appeal running against a Washington insider. A fan's review of The Best of The Martins video on Amazon.com captures this dynamic succinctly: "I wouldn't consider the Martins southern gospel," the reviewer writes, "as their sound is more contemporary but they have a love of the Lord and that comes across strong in their work and their lives. Beautiful For discussions of the Traveler trope see ". However, in light of the subsequent collapse of most of the southern gospel industry not affiliated with the Homecoming Series, Close Harmony offers an overly optimistic view of southern gospel prospects in the twenty-first century (283287). Lower compositional sophistication, more uneven production quality, and rougher cuts by commercial standardsall defining features of the southern gospel sound of the past twenty yearscan function for many evangelicals and fundamentalists as indices of a more real music and catalysts for a more authentic experience of the religious self. The family all returns to their parents farm in Arkansas for an entire week. tippy('#footnote_plugin_tooltip_1524_1_37', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_37').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); On the surface, these indicators suggest the clear shift in tastes within Christian music entertainment away from southern gospel's preference for close harmony sung in the ensemble. Joyces daughter, Mae was born Amanda Marie on May 9, 2002. Judy Martin is married to Jake Hess, Jr., the son of the legendary southern gospel lead singer Jake Hess. Lost When developmental milestones were delayed we knew something was not quite right, but Mae's pediatrician encouraged us to not compare her to her older brother and not to worry. Wherever You Are, Make Us One - Women's Expression of God's Mercy (Various Artists) [To
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