jantje friese interview

Did you learn anything surprising working across so many different languages? Its heart-wrenching and really put a lot of press pressure on Season 2. Make sure to check outEW's Fall TV Preview cover story as well as all of our2022 Fall TV Preview content, releasing over 22 days through Sept. 29. Friese:Our scripts look like Frankenstein monsters. You can change anything. No, we just forget them immediately. "I don't know if that's a German thing. Jantje Friese (born 1977) is a German film producer and screenwriter known for co-creating the Netflix series Dark (2017-2020) and 1899 (2022) with her creative and romantic partner Baran bo Odar. Im obsessed with history, seeing how everything is related to each other, seeing the reasons for things. Friese and Odar said that they were able to keep the raincoat, the St. Christopher necklace, and the recreation of the Rubens painting The Fall of the Damned thats the centerpiece of Adams Sic Mundus hall. We had old material that was actually a different story a couple of years back, she said. We put a lot of effort into getting things right. And basically just concentrate on what we want to do and what we want to tell. Wheres he going? Do you wish there were more than three seasons to explore the story? Dozens of questions swirling around your brain about what actually happened? Odar:Every episode [when] someone wakes up, you hear almost like a computer voice. There are also a lot of things in Season 1 hinting to Season 3. Thats what triggered the process. Fortunately the similarities between some of the older and younger actors are so uncanny that often other clues arent necessary, and occasionally, some viewers are convinced that one actor has just been aged up using makeup and prosthetics such as in the case of Adult Ulrich (Oliver Masucci) and Elderly Ulrich (Winfried Glatzeder). But where they're going isn't to a different time period; she clicks a device and suggests they're going to a different world. To be honest, we had them all in these pods; they couldnt move. Where does he come from? What happened in that period is that modernism clashed with old beliefs. So you didnt have to really change the way that youre shooting; you can do the shot and the reverse shot in one day, which was really helpful. In other [projects] weve done before, we dont like to end on a dot. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. You have to change the titles on them and mirror them. Friese says she was bothered by this for the first few months actively working on the scripts for 1899, but, "At some point, we just said, 'Let's shake it off.' That's what we tried to do. That [story] was already during development for Season 1. Finally we could do whatever we wanted with them. They have to realize that, yes, we suffer and we have pain and desires, but we two are not so important that we must exist so someone else cant be happy. 'Dark' Final Season, Explained: Baran bo Odar and Jantje Friese We thought it better to shift. Then at some point, when I feel stronger or happier with whats there, I put it down in pencil. Those visual changes are built on the foundation of a braided narrative that stretches out across all three seasons of Dark. Ideas planted early in the series run return as the show moves toward its poignant ending. When Netflix was looking for the first German show, there were two things happening. 'Dark' Co-Creator Talks Season 3 Plans, Casting - IndieWire You just trying to be flexible, to really allow the process to surprise you while youre going through it, but still kind of knowing where youre sailing to. Sign up for our Email Newsletters here. Do Not Sell or Share My Personal Information. Get a behind-the-scenes look at the new mystery-thriller series. As we learn quickly in Season 3, the worlds are very similar but also slightly different, but time-travel is still in play and the other Martha and her world are still progressing toward the same world-shattering apocalypse that happened in Jonas' world. There are all of these images, and even in dialogue, hints that give it away. They always knew where it would go, but they recently watched the last episode in the cinema and they were like, oh my God!, Odar: We dont play with the audience and treat them as fools and idiots; rather, the opposite. Then if you know something about simulation or content creation in that space, maybe youdo understand what that means in our context. Wllers eye isnt just a mystery, but one of the running jokes that makes Dark so rich. I just felt that was such a multilayered story. 2023 The Hollywood Reporter, LLC. ", The poster for 1899 (below) shows a ship perched on the edge of a triangle in the middle of the ocean, leading some fans to speculate that the mysterious Bermuda Triangle myth could play a part in the story. People write stories about the relationships between Aleksander and Regina, and stuff like that. After 26 episodes and three seasons of one of the best Netflix Originals to date, there are a few remnants of Dark that remain. Need help finding something to watch? Its really weird and interesting technology, but its very helpful for the actors. There were a lot of [directions] we knew we wanted to go, but didnt necessarily know at which points in the narration we would address them. Also the same as we did in Season 2 where we put a little bit focus on different characters like Claudia and Egon, were going to do the same in Season 3 and call some people up that had smaller parts. 1899 Season 2: Rosalie Craig Reveals What Was in Store for Virginia The largest LED "Volume" of its kind in Europe, it unlocks the ability to capture a significant amount of complex visual effects shots in-camera through virtual sets and locations created with game engine technology, as opposed to a traditional green screen. We said, this is a determined world, or it's based on determinism. And that's the same here again, now with the pattern pyramid and the triangles. Baran bo Odar and Jantje Friese, the German creators of buzzy cult series Dark and 1899, have been tapped to develop a series. "Because there are so many layers of science philosophy and metaphysics and spiritual stuff, and it was quite interesting to see that they are all actually talking about the same thing, just from different angles. It was a set constructed specifically for the series. 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With that being said, is there still a story to tell in the universe of Dark, or do you feel closed at this point? More scientific-oriented thinking started [influencing society] while you still had very religious beliefs [also prevalent], and those two things pulled on each other, old and new. That was one of the cornerstones to developing the third season. Its been quite a process getting to here. You know it by the emotional state, how they are addressing you, their body language and everything. Baran bo Odar Definitely. No, I didn't,'" he said. And I think, especially as a filmmaker, you love creating illusion. [The German meaning is closer to unlikely to succeed.] When we got the notes back from Netflix on Dark, they said: Such an ambitious project. We thought they hated it. Through three seasons of Dark very little made. "We always work with symbols and objects, and we always have usually one specific object that is tied to one character. For fans who are still trying to figure out season three of Dark who was Noahs dad again? Thats why we decided against showing it. The same people laugh, cry, they get born, they die just fundamental human stuff. You were really, like, lovesick after filming was done. But in English, it means something positive. Was that deliberate? this link is to an external site that may or may not meet accessibility guidelines. If you dont know where youre going, you can just write whatever. Some said: Oh, it felt more at ease, like it was easier to comprehend. I used the wrong hand! (Laughs.) In talking about a mirror world, though, we wanted to use that trick and actually mirror the images. Still, there are enough locations that do exist, exteriors that even when dismantled were the site of many memories for those who worked on Dark. Its understandable that even Odar didnt want to give up the show right away. Season 2 ended with Jonas being whisked away to another world, possibly another dimension by a version of his now-dead girlfriend Martha (Lisa Vicari). Odar says there were two reasons why they opted to use this new technology, which has been used previously on shows such as Disney+'s The Mandalorian. In terms of the working process, what was good for us was to talk to the people who worked onThe Mandalorian and find out how they did it. That was the initial plan. We said from the start that1899should not look likeTitanic. Doubtlessly, you have questions on your mind, about the two new worlds introduced in the final season, how the Dark production team put the parallel universe into reality, what Jonas and Marthas final sacrifice meant, the logic behind the final dinner scene, and most importantly this: is there more to the story? Friese compared it to the Season 1 episode that first travels to the 1950s and the Season 2 episode that revisits the day of Michael's death. That relates to everything. Whats the fundament of it all? We spoke to Dark co-creators Baran bo Odar and Jantje Friese about saying farewell to the series, the spiritual and mythological influences they crammed into the third season's eight episodes, and how in the world they managed to keep everything straight. Its all heady stuff, but one that adds an extra layer to the shows mysteries. Then you start putting characters into that idea, but they might feel a bit one-dimensional, so you get some ideas for the plot and you work it in. Letting all of that go, for me, feels very satisfying. It was so easy for them to just react. The past shapes you and everything that happens.. Jantje Friese: They think they know how this works but they don't. They are still human. All Rights Reserved. . That, for us, is a metaphor. The quote in the song from Emily Dickinsons poem, in the beginning, is really about experiencing all this weird shit going through your brain. Fans of Netflix's twisty time travel series Dark will be happy (although perhaps not surprised) to hear that creators Baran bo Odar and Jantje Friese's followup, 1899, is a real mind-bender. What was the original spark? We're way closer to America than we are actually to India. Related Naturally, that's by design, and is something fans should look out for as they watch. How did the actors react to working in this new virtual space? Theres just an underrepresentation of the different European cultures, the different narratives from around the world. In the first season ofDark we still had stuff on the walls, but no one ever looked at it. Creators Baran bo Odar Jantje Friese Stars Emily Beecham Aneurin Barnard Andreas Pietschmann See production, box office & company info Watch on Netflix S1 with subscription Add to Watchlist Doors that used to be on the left side, were on the right side, Odar said. If you leave enough open for people to pour their own creativity into it in that way, it lives. I need 360 degrees. Thats when the idea came to use a turntable so you can swap things in easily. Thats why theres a viewer learning curve at the beginning, trying to tell one German person apart from another. Were moving through a story, and we want to know how it will be resolved in the end. For instance, the ship's dining room, which is a pivotal set piece on the show, was not an actual physical room that they built. And I dont want to spoil the meaning of that yet. Then one day, I told myself: Lets forget about what theyre saying and listen to how theyre saying it. Do you feel you have said all there is to say about these characters and this world? But also hard because you have to rethink how youre used to shooting stuff. To create an illusion that the virtual space is a three-dimensional space its fascinating. Fear not, Tudum is here for you. With1899, because were on a ship, and its constantly moving, the camera is too. But everyone now has seen all three seasons, and it gets really complicated. bo Odar: We always think any piece of pop culture should be a reference to some other element of pop culture. Chris Emil Janssen/Action Press/Shutterstock, Bo and I met in film school and since Day One, we were convinced that it was possible to tell local stories coming out of Germany that could hit an audience anywhere, Friese said. The Creators of '1899' Reveal (Some of) the Secrets Behind the New Netflix Mystery Series Jantje Friese and Baran bo Odar, who also created the streamer's hit 'Dark,' are back with another meta. Related But in the end, it turned out to be way easier than we thought, because theres a sort of universal language, without words, going on while youre communicating with someone. Obviously, we were fighting for our own characters to to be heard, but then you just have to make choices.. Jonas and Martha sacrifice themselves and their own worlds in order to stop the loop and save the origin world. Friese: I think there is a lot to tell. The show is the first from Netflix shot entirely in a virtual studio, using cutting-edge LED-Volume technology with a video game engine that creates virtual sets and locations, allowing complex visual-effects shots to be done in-camera. You dont need to see it on screen. Like if one stone starts to roll, and hits another and that ends up leading to the First World War. who wrote the triquetra notebook? Like letting go of some love affair.. The former show, after all, spawned a worldwide cult following of fans eager to untangle Dark's knots, and the idea for 1899 first sprung up after Dark's first season. In the middle, there may be some ideas that are more loosely thrown in. Jantje Friese and Baran bo Odar's latest mindbender 1899 has recently dropped on Netflix, and with it has come a swathe of comparisons to their previous endeavor, Dark.Even putting aside the duo .

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